TINA DiCARLO
ABOUT
CLIENTS
CONTACT
CURRENTLY
and
TEXTUALLY
An archive dedicated to collecting architecture as part of a broader social-aesthetic-political discourse
A temporal and spatial play
Measures will talk through curating architecture and curating within architecture through 8 different lexical frames.
Beginning 14 June 2011, for 8 Tuesdays at no.w.here, London
DLD Women with Vanessa Branson
29-30 June 2011
WORK
WRITING
+
LOG 20: Curating Architecture
Exhibitionism
Documentary as Evidence?
Harper’s: Smell is Other People
EXHIBITIONISM
Sissel Tolaas: Life is Everywhere
Mie Olise: Allegories of Ruin and the Inevitable Utopias of Abandonment
Hut by Ethan Hayes Chute
Let It Be
8 SEQUENCES + 3
Use Of The World : Architecture Detournée
Texting Beijing, Yale Perspecta
Culture of Change
Tropical Green: Penang Tropical City
Centralised State. De-centralised Interventions: A Strategy for Entering China
On the Thinking Behind CCTV TVCC
China World
32°00′ N, 35°15′ E
Logrythms
“Good Design”
“Useful Objects”
Generator, Project by Cedric Price
SPEAKING
with
+
Measures 5 : Exhibition / Exhibitionism
Vanessa Branson
Eyal Weizman on Dying to Speak: Forensic Spatiality
Markus Miessen : Discussion as Signature
Gonzalo Escarpa: PERFOPOESIA
Sissel Tolaas
Mie Olise: The Exquisite Capabilities of the Flying Carpet
Winy Maas: Forbidding the Re
Shumon Basar: Curating against Organisation
Pecha Kucha, Madrid
KW, Berlin: Jurored Competition for Temporary Entrance
CURATING
+
ASAP | Archive of Spatial Aesthetics & Praxis
OMA in Beijing: The Chinese Central Television Headquarters
CCTV TVCC by OMA / Rem Koolhaas and Ole Scheeren
Drive-In Marfa (DIM), Project
By Size
The Highline
Envisioning Architecture
Tall Buildings
In Collaboration
The Changing of the Avant-Garde: Visionary Works from the Howard Gilman Collection
CONSULTING
Duas Barras Foundation: Social Strategies and Implementation
Jürgen Mayer H.
When Economies Become Form
Alex Schweder: Its Form Follows Your Performance
SHW
Duas Barras Resort, Brazil
Room Service: Vancouver Art Gallery
Andre Balazs: Two Conversations on M40